Gary Honess, producer, engineer and owner of Kühl Muzik Studios in Toronto, Canada, has installed a 16-channel Rupert Neve Designs 5088 discrete analog mixer to provide essential summing, mixing and routing functionality at his facility.
Comprised of a new inductor EQ circuit with a heritage going back decades, and a compressor with elements from the Portico II: Master Buss Processor, the 5051 can be configured within a 5088 console to deliver exceptional tonal and dynamic control on each channel.
New York University’s Clive Davis Institute of Recorded Music at the Tisch School of the Arts has announced the unveiling of a new state-of-the art production studio and teaching space based around the 5088 Discrete Analogue Mixer.
At this year’s AES conference in New York City, Rupert Neve Designs is announcing the release of the two new modules for the groundbreaking and multi-award winning 5088 console: The 5051 Inductor EQ / Compressor module and the 5088 Stereo Module.
One of New York’s foremost mastering facilities, Masterdisk, will take delivery of the first two Rupert Neve Designs Portico II Master Buss Processor units when they go into production at the beginning of October.
Producer, mixer and musician Mark Plati has installed a 16-channel Rupert Neve Designs 5088 discrete analog mixing console, outfitted with 10 Portico 5032 mic pre/EQ, a 5042 tape emulator and two 5042 dual compressor/limiter modules, plus Tonelux ShadowMix fader automation, at Alice’s Restaurant, his private studio in New York City’s East Village. Plati, who is [...]
OBERLIN, OHIO (July 6, 2011) – The Oberlin Conservatory of Music brought together leading professional audio industry manufacturers to outfit its new world-class recording facility, the Joseph R. Clonick Studio, which also serves as a performance venue. To create the finest in recorded sound-and an unparalleled educational and pre-professional experience for its students-the Clonick Studio [...]
he 543 features a fully controllable compressor-limiter with feed-forward/feed-back modes, Peak/RMS detection and a built-in sidechain high-pass filter. With an unrivaled heritage and a tremendous feature set, the 543 yields a combination of rich warmth, flexibility and precision that is sure to resonate in the ears of sound engineers the world over.
The vintage consoles, although they had enormous
headroom, would dull over on the top end and you’d lose low-level signals.
“They would get puffy and thick around the waist. None of those issues are
present in this Neve 5088 console.”
Based on the Portico 5017 Mobile Pre, the 517 provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI/mic blending capabilities for $950
U.S. list.
“This box is absolutely awesome; it’s my new secret weapon. Even something simple like an SM57 or 58 running through this baby sounds like a completely different type of microphone; it adds serious character. And if you’ve got a high-end microphone, it’s really amazing.”
For the year of 2010, one new studio product has stood out to the judges of Audio Pro International; the Portico II: Channel.
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