“The RMP-D8’s provide consistency that I wasn’t getting previously…every client that has used them for a tour or recording has texted or called me to exclaim how much of a sonic upgrade they’ve been and how easy they were to integrate.”

“The MBC has quickly become the first item in any FOH scenario. It’s essential to my workflow at FOH these days. The 542 Tape Emulators also see the mix bus or drum bus quite often and I want more of them for individual sources.”

“The 5045 is the pinnacle of source expansion. There are other options that exist but in many cases the 5045 is the only piece that truly works. If you have a situation where feedback may occur, you need a 5045.”

“The RNHP is at FOH for me on every tour and provides incredible audio to whatever headphones I may be using each day. I’ve also used it as a hardwire unit for drummers and they have always taken the time to mention the quality of the sonics and usability.”

“The 5057 Orbit has been an incredible addition when I don’t have the room or budget to take the RMP’s out but want the sonic size and familiarity of RND. It’s compact, easy to integrate, and I love the ability to use both red and blue silk on the mix when I have the MBC after it.”